Brian Paone

Author // Musician

Filtering by Tag: Retribution

New Transpose demos?

It’s been 7 years since my band Transpose’s last album, Retribution, was released and 5 years since our last show. After that album came out, we toured on it for 3 years (throughout 2011, 2012, and 2013), and when the 2013 tour ended in Jacksonville, FL, the band went on an unofficial hiatus.

We have contacted each other over the 5 years with messages like, “It’s time to get the band back together!” (even though, if you ask us, we have never really broken up) and “I’ve been thinking of what the next album should sound like” etc. Our guitarist even went as far as to get on a plane and fly from Massachusetts to spend a weekend jamming with my bass player in Iowa last year, just to get the juices flowing. From my understanding, nothing substantial came from that long-weekend writing session.

But, my bassist, Tim, has sent me the first recorded snippets of songs that have been written and worked out for what might very well turn into the 3rd Transpose album. I listened to the musical vignettes on my phone, and if the music continues in this direction, I foresee that the 7+ year wait for a new album is going to be worth it.

Now … to just all get on the same stage again and play some shows!!

Yellow #1's album, "Thanks for the Nostalgia," turns 2!

Waaaaay back in 1995, I started my first band, Yellow #1. We released one album in 1996 called Bottle of Rain. We played about three years worth of live shows all over New England; we even opened for Godsmack and had a song from the album ("Broken Eyes") played on Boston radio station WAAF. Oh, and a few music magazines reviewed the album. I approached the songwriting as a Mr. Bungle meets Nine Inch Nails. Then, in 1998, we played our last live show and broke up. I went on to front the bands Drop Kick Jesus, The Grave Machine, and Transpose … never ever thinking Yellow #1 would ever see the light of day again.

Then, in 2014, while we were living in Japan (and Transpose had just come off its last tour), I decided it might be time to resurrect the band and see if we had another album of tunes in us after 19 years. Work on the second album began in 2014 with producer and hip-hop artist Darius Malloy (RedStryke). The difference from Bottle of Rain that I was most adamant about this album, was I did not want a single real instrument on the album. The first album, along with all the programming, synthesizers, and drum machines, still had live drums, acoustic guitar, piano, electric guitar, harmonica, and tambourine. I knew I wanted this album to completely exist inside computer programs.

Darius worked with me on four songs, supplying beats and bass lines. I got to work on the other songs and filled in the gaps of what he left for me on his songs. In 2015, I had twelve songs completely written for the new album. All I had left was to write the lyrics.

Bottle of Rain had been built lyrically from the strife and angst of Nine Inch Nails, Korn, and Quicksand. I was 20 years older and didn't quite carry the same frustrations with life or my inner demons anymore. BUT, I knew in order to assign the Yellow #1 moniker to the album, it still needed to FEEL like a Yellow #1 album. This was the first album of ANY of my bands' albums (this is the 7th album I have released throughout my 4 bands) where the lyrics were less introspective and more worldly. I put my own personal journal in the backseat and focused more on universal topics that still create a rise in me. I also hadn't written lyrics for an album since 2011, when Transpose had released our second album, Retribution, so there was some rust to shake off.

I entered the recording studio in Jacksonville, NC in June, 2016 and spent 6 weeks recording the 12 songs' vocals. In typical Yellow #1 style, we used a multitude of vocoders and layers of vocal effects to help make my voice sound different in every song. Just like we had done 20 years ago on Bottle of Rain. It was like wearing an old hat. All the old Yellow #1 atmosphere in the studio came back so effortlessly once I stepped into that vocal booth.

We named the album Thanks for the Nostalgia and used a beautiful picture of Japan at the base of Mt. Fuji, since the album was started there and the song "Kenritsudiagaku" is about what it was like to live in Japan as an American family. It was a very cathartic journey, making a second Yellow #1 album after two decades of silence. I can't even try to project when there might be a third Yellow #1 release, but I had so much fun making this album, I can promise it won't be another 20 years before there is new music from the Yellow #1 camp. 

Transpose's "Retribution" turns 7 years old

My band, Transpose, released our second album, Retribution, seven years ago this month. It had been four years since our first album, and we had played enough shows within those four years where we really wore out that first album. It was time to not only have some new material to play live, but way past due to give the fans a new batch of songs.

This album was the most unique album I have ever been a part of. It is the only true concept album I have ever written. The songs can't be listened out of order; there are characters, dialogue, a plotline, a climax, and resolution. We began writing this album right around the time I was in the editing stages of my second novel, Welcome to Parkview, and there was a part of that novel (which was eventually removed and did not appear in the published version) that was about 20 pages long and told the story of a man who knew his wife was cheating on him, so he follows her and spies on her meeting some random man at a hotel. When he confronts her the next morning, she won't tell him what happened, so he burns the hotel where the affair happened to the ground, killing everyone inside, but ultimately forgiving his wife in the process.

I removed this part from the book and instead rewrote the 20 pages into lyrics, keeping some of the dialogue to be sung in the songs. We were really going for a true concept album like Pink Floyd's The Wall, Genesis' The Lamb Lies Down on Broadway, or The Who's Quadrophenia. An album that is really just one long song; a story put to music.

It was also the first album, of the now 7 albums I have written, where the lyrics were written first, and THEN the band put music to what was happening in the story. Up until Retribution, every other albums' songs had been finished musically first, and I would come in and write the lyrics and vocal pattern around the preexisting music. This time, as a band, we had to verbalize what was going on in the "scene" and then write the music to that action.

In the studio, we added sound effects to accent what was happening in the scene: alarm clocks, sounds of people eating, a woman moaning, footsteps on stairs, firetrucks etc. It was a lot of fun to drop those into the songs throughout. This was also the most amount of keyboards I had written/played on an album since Drop Kick Jesus' album Splatterguts, which came out in 1998, so it was also a lot of fun to get behind the keyboard and compose again.

As soon as the album was finished, it marked the birth of a totally new live show for Transpose. Gone were the random order of songs from the first album. Our shows were now Retribution from start to finish, and then our encore; which consisted of about three songs from the first album, A Delicate Impact. We moved the songs from the first album to the end of the show and performed the new album in its entirety as the meat of the live shows. We toured pretty extensively on the Retribution album for two years.

I even made a film to go along with the album; a visually journey of the story as the album plays. That film can be found here on my site under the MEDIA tab or on YouTube. We would play the film at our merch table on a TV during the tours and shows.

I have been a part of 7 albums in my musical career total, and Retribution, still to this day, is the album I am most proud of than any other album I have written. I don't know what the future will bring in regards to how I will feel about future albums, but this one will always be super special to me. It was one of those albums where I felt everything just clicked the whole way through. And not just because it was the first time one of my stories had been turned into an album that I could sing every night on stage.

Oh, and we also recorded a cover of Digital Underground's "The Humpty Dance" during the recording sessions and added it as a hidden bonus track on the album. Ha!

Books | Music | About | Contact | News | Media

All content © 2014, Brian Paone