My career as a novelist would never have happened, or at least to the success that I have had, if one of my best friends hadn’t died in 2005. My friend David, the lead singer of the industrial-rock band God Lives Underwater—who enjoyed some commercial success in the 90s—had been struggling with drug addiction, depression, and the throes of the music business since I met him in 1995. We became fast friends, and I was one of the few people who stuck with him through all his highs and lows.
When he passed away in 2005, I didn’t know where the put my grief. I just couldn’t find a healthy outlet for how I was feeling about losing him. It was suggested to me to write a memoir about our friendship, but in novel format so it would read more like a story than a journal. My wife was the biggest advocate of me using my grief to write my first novel and recall all the good and bad times that come with being close to someone who struggles with addiction and someone who was on major tours, on MTV, and all over the radio. He was a multi-dimensional person, and our friendship was trying and rewarding all at the same time.
Since 1988, I had only written short stories, novelettes, and novellas. I had never attempted a piece of work beyond 30k words long. So, I started writing what would eventually become my first novel, Dreams Are Unfinished Thoughts, in January 2006, and it was published in October 2007—on the second anniversary of his death.
And here we are. Eleven years to the day of that first novel being released into the world. What a wild ride it's been. I am a few months from my 5th novel's release, Moonlight City Drive Part 2, and my 5th published short story will be released in the next few months. It's only been over the last three years that I have been dubbed a rock-fiction author (adapting albums or songs into novels or short stories) but my entire eleven-year career has been steeped in music, which is my true love in the world. Between Dreams Are Unfinished Thoughts delving into the touring life of bands and the tribulations that world can trap the musicians in and my second novel, Welcome to Parkview, stemming from the idea behind Billy Joel's song, "Piano Man," writing about music has been a part of who I am as an author since Day One.
Over these eleven years, I have met a lot of my heroes and idols in the music world because of my writing, and I have created friendships among band members that I never in my wildest dreams thought I would ever make. After I finished Welcome to Parkview in 2010 (which I started in 1991), I honestly thought I only had those two novels in me ... and I was done with writing. Then in 2012, I had a flash of inspiration to try to novelize Electric Light Orchestra's album, Time. The process was so enjoyable and liberating for me as a music fanatic that when Yours Truly, 2095 was released in 2015, I knew I had found my niche in writing, and I knew I didn't want to stop. Since then I have had four short stories published, all adapted from bands' albums or songs (Moby, Jethro Tull, Porcupine Tree, and Tom Petty & The Heartbreakers respectively) and my most recent novel, Moonlight City Drive, is another rock-fiction adaptation; this time of Dog Fashion Disco's album, Adultery.
I started writing my first novel on a desktop computer next to my CD collection in my bedroom in an apartment that I shared with two other roommates, to now having my own writing office in my house that I share with my wife and four children. The list of bands and albums I have stored in the back of brain to adapt into rock fiction (either novels or short stories) is so extensive, I will probably die before I reach the bottom of that list. The immediate future of my rock-fiction career includes Pink Floyd, Digital Underground, TheThe, EMF, Thursday, and Jane Jensen.
It's been an amazing eleven years. Here's to continue the inertia of heading upward to the next eleven years...