Brian Paone

Author // Musician

Filtering by Tag: Digital Underground

Transpose's "Retribution" turns 8 years old

My band, Transpose, released our second album, Retribution, eight years ago this month. It had been four years since our first album, and we had played enough shows within those four years where we really wore out that first album. It was time to not only have some new material to play live, but way past due to give the fans a new batch of songs.

This album was the most unique album I have ever been a part of. It is the only true concept album I have ever written. The songs can't be listened out of order; there are characters, dialogue, a plotline, a climax, and resolution. We began writing this album right around the time I was in the editing stages of my second novel, Welcome to Parkview, and there was a part of that novel (which was eventually removed and did not appear in the published version) that was about 20 pages long and told the story of a man who knew his wife was cheating on him, so he follows her and spies on her meeting some random man at a hotel. When he confronts her the next morning, she won't tell him what happened, so he burns the hotel where the affair happened to the ground, killing everyone inside, but ultimately forgiving his wife in the process.

I removed this part from the book and instead rewrote the 20 pages into lyrics, keeping some of the dialogue to be sung in the songs. We were really going for a true concept album like Pink Floyd's The Wall, Genesis' The Lamb Lies Down on Broadway, or The Who's Quadrophenia. An album that is really just one long song; a story put to music.

It was also the first album, of the now 7 albums I have written, where the lyrics were written first, and THEN the band put music to what was happening in the story. Up until Retribution, every other albums' songs had been finished musically first, and I would come in and write the lyrics and vocal pattern around the preexisting music. This time, as a band, we had to verbalize what was going on in the "scene" and then write the music to that action.

In the studio, we added sound effects to accent what was happening in the scene: alarm clocks, sounds of people eating, a woman moaning, footsteps on stairs, firetrucks etc. It was a lot of fun to drop those into the songs throughout. This was also the most amount of keyboards I had written/played on an album since Drop Kick Jesus' album Splatterguts, which came out in 1998, so it was also a lot of fun to get behind the keyboard and compose again.

As soon as the album was finished, it marked the birth of a totally new live show for Transpose. Gone were the random order of songs from the first album. Our shows were now Retribution from start to finish, and then our encore; which consisted of about three songs from the first album, A Delicate Impact. We moved the songs from the first album to the end of the show and performed the new album in its entirety as the meat of the live shows. We toured pretty extensively on the Retribution album for two years.

I even made a film to go along with the album; a visually journey of the story as the album plays. That film can be found here on my site under the MEDIA tab or on YouTube. We would play the film at our merch table on a TV during the tours and shows.

I have been a part of 7 albums in my musical career total, and Retribution, still to this day, is the album I am most proud of than any other album I have written. I don't know what the future will bring in regards to how I will feel about future albums, but this one will always be super special to me. It was one of those albums where I felt everything just clicked the whole way through. And not just because it was the first time one of my stories had been turned into an album that I could sing every night on stage.

Oh, and we also recorded a cover of Digital Underground's "The Humpty Dance" during the recording sessions and added it as a hidden bonus track on the album. Ha!

11 Years Today as a Published Author ... And the Wild Ride to Get Here

My career as a novelist would never have happened, or at least to the success that I have had, if one of my best friends hadn’t died in 2005. My friend David, the lead singer of the industrial-rock band God Lives Underwater—who enjoyed some commercial success in the 90s—had been struggling with drug addiction, depression, and the throes of the music business since I met him in 1995. We became fast friends, and I was one of the few people who stuck with him through all his highs and lows.

When he passed away in 2005, I didn’t know where the put my grief. I just couldn’t find a healthy outlet for how I was feeling about losing him. It was suggested to me to write a memoir about our friendship, but in novel format so it would read more like a story than a journal. My wife was the biggest advocate of me using my grief to write my first novel and recall all the good and bad times that come with being close to someone who struggles with addiction and someone who was on major tours, on MTV, and all over the radio. He was a multi-dimensional person, and our friendship was trying and rewarding all at the same time.

Since 1988, I had only written short stories, novelettes, and novellas. I had never attempted a piece of work beyond 30k words long. So, I started writing what would eventually become my first novel, Dreams Are Unfinished Thoughts, in January 2006, and it was published in October 2007—on the second anniversary of his death.

And here we are. Eleven years to the day of that first novel being released into the world. What a wild ride it's been. I am a few months from my 5th novel's release, Moonlight City Drive Part 2, and my 5th published short story will be released in the next few months. It's only been over the last three years that I have been dubbed a rock-fiction author (adapting albums or songs into novels or short stories) but my entire eleven-year career has been steeped in music, which is my true love in the world. Between Dreams Are Unfinished Thoughts delving into the touring life of bands and the tribulations that world can trap the musicians in and my second novel, Welcome to Parkview, stemming from the idea behind Billy Joel's song, "Piano Man," writing about music has been a part of who I am as an author since Day One.

Over these eleven years, I have met a lot of my heroes and idols in the music world because of my writing, and I have created friendships among band members that I never in my wildest dreams thought I would ever make. After I finished Welcome to Parkview in 2010 (which I started in 1991), I honestly thought I only had those two novels in me ... and I was done with writing. Then in 2012, I had a flash of inspiration to try to novelize Electric Light Orchestra's album, Time. The process was so enjoyable and liberating for me as a music fanatic that when Yours Truly, 2095 was released in 2015, I knew I had found my niche in writing, and I knew I didn't want to stop. Since then I have had four short stories published, all adapted from bands' albums or songs (Moby, Jethro Tull, Porcupine Tree, and Tom Petty & The Heartbreakers respectively) and my most recent novel, Moonlight City Drive, is another rock-fiction adaptation; this time of Dog Fashion Disco's album, Adultery.

I started writing my first novel on a desktop computer next to my CD collection in my bedroom in an apartment that I shared with two other roommates, to now having my own writing office in my house that I share with my wife and four children. The list of bands and albums I have stored in the back of brain to adapt into rock fiction (either novels or short stories) is so extensive, I will probably die before I reach the bottom of that list. The immediate future of my rock-fiction career includes Pink Floyd, Digital Underground, TheThe, EMF, Thursday, and Jane Jensen.

It's been an amazing eleven years. Here's to continue the inertia of heading upward to the next eleven years...

Transpose's "Retribution" turns 7 years old

My band, Transpose, released our second album, Retribution, seven years ago this month. It had been four years since our first album, and we had played enough shows within those four years where we really wore out that first album. It was time to not only have some new material to play live, but way past due to give the fans a new batch of songs.

This album was the most unique album I have ever been a part of. It is the only true concept album I have ever written. The songs can't be listened out of order; there are characters, dialogue, a plotline, a climax, and resolution. We began writing this album right around the time I was in the editing stages of my second novel, Welcome to Parkview, and there was a part of that novel (which was eventually removed and did not appear in the published version) that was about 20 pages long and told the story of a man who knew his wife was cheating on him, so he follows her and spies on her meeting some random man at a hotel. When he confronts her the next morning, she won't tell him what happened, so he burns the hotel where the affair happened to the ground, killing everyone inside, but ultimately forgiving his wife in the process.

I removed this part from the book and instead rewrote the 20 pages into lyrics, keeping some of the dialogue to be sung in the songs. We were really going for a true concept album like Pink Floyd's The Wall, Genesis' The Lamb Lies Down on Broadway, or The Who's Quadrophenia. An album that is really just one long song; a story put to music.

It was also the first album, of the now 7 albums I have written, where the lyrics were written first, and THEN the band put music to what was happening in the story. Up until Retribution, every other albums' songs had been finished musically first, and I would come in and write the lyrics and vocal pattern around the preexisting music. This time, as a band, we had to verbalize what was going on in the "scene" and then write the music to that action.

In the studio, we added sound effects to accent what was happening in the scene: alarm clocks, sounds of people eating, a woman moaning, footsteps on stairs, firetrucks etc. It was a lot of fun to drop those into the songs throughout. This was also the most amount of keyboards I had written/played on an album since Drop Kick Jesus' album Splatterguts, which came out in 1998, so it was also a lot of fun to get behind the keyboard and compose again.

As soon as the album was finished, it marked the birth of a totally new live show for Transpose. Gone were the random order of songs from the first album. Our shows were now Retribution from start to finish, and then our encore; which consisted of about three songs from the first album, A Delicate Impact. We moved the songs from the first album to the end of the show and performed the new album in its entirety as the meat of the live shows. We toured pretty extensively on the Retribution album for two years.

I even made a film to go along with the album; a visually journey of the story as the album plays. That film can be found here on my site under the MEDIA tab or on YouTube. We would play the film at our merch table on a TV during the tours and shows.

I have been a part of 7 albums in my musical career total, and Retribution, still to this day, is the album I am most proud of than any other album I have written. I don't know what the future will bring in regards to how I will feel about future albums, but this one will always be super special to me. It was one of those albums where I felt everything just clicked the whole way through. And not just because it was the first time one of my stories had been turned into an album that I could sing every night on stage.

Oh, and we also recorded a cover of Digital Underground's "The Humpty Dance" during the recording sessions and added it as a hidden bonus track on the album. Ha!

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