Transpose's "A Delicate Impact" turns 12
My band, Transpose, has an unorthodox beginning. Guitarist Joshua Givens and I started the band in Beverly, MA in 2005. We had written 5 songs before I moved to GA, and when I announced to him that I had to move and leave the band, Joshua decided to move with me, instead of finding a new singer. As soon as we reached GA, we immediately started looking for a bass player and drummer to finish the lineup. Joshua and I attended a concert to see a local band called Ashes of Osiris. Unbeknownst to us, this was Ashes of Osiris' final show. Joshua and I loved their rhythm section, and within 2 months, we had recruited half of Ashes of Osiris to join Transpose to complete the lineup. With Tim Sigler on bass and Jason Bonner on drums, we were ready to roll.
We used the 5 songs that Joshua and I had written in MA as a springboard for the new band, showing the songs to Tim and Jason, and then rewriting them as a "band." All 5 of those songs not only made the debut album, but also became fan favorites at our concerts: "Branches," "The Mourning Crash," "Insect Ways," "Helter Skelter Morning," and "This Rust." Once we perfected the 5 songs that had been brought from MA, we wrote a total of 6 more songs (and 2 covers; God Lives Underwater's "Miss You More Than Anything" and the Team America World Police theme song "America, Fuck Yeah!") to complete the track listing of what would become our debut album: A Delicate Impact.
We recorded the album on the weekends while I was in the police academy in GA. I would spend Monday - Friday at the academy and then Saturday and Sunday in the recording studio, just to do it all over again ... week after week. I also finished writing my first novel, Dreams Are Unfinished Thoughts, during the recording process, AND my first child was born. Sept. 2007 was one of the busiest months I have ever lived in my life: graduated from the police academy, finished writing my first novel, recorded Transpose's debut album, had a baby, and Stephanie and I moved into our first house.
The front cover of the album was a real photograph of Joshua's girlfriend in a wedding dress that we bought from a thrift shop, tied up to the railroad tracks. Yes, this was an active rail, and we had to time the picture in-between trains coming through. I even called dispatch to let the police know if they got any weird calls of a girl tied to he tracks, that was me and we were okay.
When the album was released, we sent the first single, "Only the Dead Go Free," to radio stations and never expected the response it received. It was placed in rotation on a lot of stations in FL, and we would have people coming to the shows just to see us play that song. We played constantly to promote the album, touring for almost 2 years straight. Joshua left the band in 2009 and that pretty much ended the A Delicate Impact era. As soon as we inducted our next guitarist, TJ, into the band, that became the first step toward writing Retribution. Even after Josh left the band, we still played 8 of the 13 songs from the album on a consistent basis live. The only songs we retired, and still have never played live since 2009, are: "This Rust," "Pills & Places," "And The Noose Replied," "Insect Ways," and "Breaking Silhouettes."
What a crazy time it was recording this album in between attending a police academy, finishing a novel, having a baby, and buying a house... but if I had to list, in order, my favorite albums that I have ever been a part of (which is now up to 7), this album would certainly still be in the top 3.